The film
Nowhere Boy begins with an establishing shot of a building with dramatic pillars, And we see John running up the stairs away from, what we guess, is a mob of screaming female fans. The screams get louder, and more exciteable as the girls get nearer, Yet we still haven't actually seen them. John trips, and suddnley we are brought back to reality with a high shot of John in bed (See photo) as his stubborn Aunt Mimi wakes him for the morning;
"Do I ignore you? No. So please don't ignore me. I've called you twice". This introduces right from the beginning Lennon's longing to be famous. It also shows us the strong nature of Mimi, and her 'tough love' attitude she has towards John. Her uptight nature and the control she believes she has over John is one of the main focuses for the film.
The dream sequence also put us in a time setting, The movie is Autobiographical and based on someone so widely known. John Lennon is such a famous figure we need to be positioned to know at what stage of his life the film is beginning. The idea of screaming fans chasing Lennon is not an unexpected one. However, the viewer does not expect to be awoken to find this to be simply a dream. As a result, the viewer is interested right from the beginning.
The scene cuts to John, out of bed and at the breakfast table. His Uncle George joins him, making playful "Ooh" noises. He places something on the table and a close-up shot reveals a Harmonica. John smiles, and looking excited reaches to grab it. Uncle George says
"Yeah, Very expensive!"
"Really?"
"No!"They both laugh and George tells John;
"First lesson. Front room. Eight o'clock tonight, Don't be late!" John embraces George and gives him a hug (See photo). This shows the viewer that not only is John passionate about music, but it also shows the contrast between the relationship of George and John, and Mimi and John. When John is with George the scene feels very light hearted, as if nothing is worth taking seriously. This is because the two characters treat each other as equals, and have a very close relationship. Whilst the relationship between Mimi and John feels tense, and serious. We as viewers get the feeling that Mimi has control over John, and so he acts differently in her company. This contrast is proven as Mimi walks into join at the breakfast table and both George and John sit up straight, and stop joking around.
"Wild One" by Jerry Lee Lewis begins to play (and continues for the duartion of the opening.). This backs up the "wild" nature of John. The song is upbeat and fast, giving the opening scene an upbeat and positive feel too. The lyrics state
"I am real cool/ I got the jump I got the jive/ Got the message I'm alive/ I'm a wild one/ I'm a wild one" these lyrics, perhaps, show the attitude John has of himself. His high self confidence is reflected not only throughout the opening, but the whole film. His cocky yet charming attitude is reflected in the lyrics of this song.
As John is leaving for school we see Mimi tap on the window and say
"Glasses, John.". John straight away does as he's told, taking his glasses out of his coat pocket and putting them on while his friend Pete blatantly mimicks Mimi saying
"Glasses John!". This shows further that Aunt Mimi seems to have ties on John. While he is playful and relaxed with others, and in this case his friend, he seems to be much the opposite when she is around. As they begin to bike to school John slows down to a friend (Jimmy Tarbuck) saying;
"Hey, Tarbuck! Keep out of the chippie yah fat bastard!"
"Lennon you prick!"
Pete then replies;
"He thinks he's hard, yah know?"
"He couldn't batter a fish!" (See photo)This line of dialogue not only emphasizes the light-hearted nature of the scene
but also shows us further that John is well liked between his pairs. The line
"He could'nt batter a fish" also gives us a sense of setting, both time and place. Obvious puns such as that aren't usual in every day conversation nowadays, but was just a usual aspect of conversation in England in the 1950's.
A mid shot of some girls in school uniform (See photo) as we hear John;
"Marie! My angel face, Show us your jugs?"
"Cock off Lennon! Or... Cock out?"
As the girls begin to giggle, John exposes himself. The girls keep laughing and walk away into the school grounds.
The scene cuts quickly with a close up of John outside what seems to be the Principals office. He is smiling(See photo), knowing that he is there for the inappropriate nature of his offense. We hear someone being strapped from inside the office. The door opens and John stands up straight and enters. Lighting is used to make the viewer believe that perhaps, John shouldn't be so comfortable, this part of the scene is very dark. When we hear someone being strapped, we know for sure that John will be in trouble, yet the look on his face implies he is unfazed by the whole situation.
"At this rate, You'll be lucky to find a job on the docks, because at the moment you're going nowhere... here at Quarry Bank, generally, nowhere."
"Is "Nowhere" full of geniuses, sir? Because then I probably do belong there."
This line not only emphasizes John's disregard for rules and control, but becomes more effective as it is the last line of dialogue from the opening scene. The fact he ignores the principals status goes to further emphasize his strange attitude and relationship with his Aunt Mimi as she is the only one he seems to listen to upon instruction (eg, "Glasses John" he acted upon this straight away.).
The opening ends with a tracking shot of trees as the title
"NOWHERE BOY" shows (See photo). The camera pans across to show John sitting on the roof of a bus, looking as if he is deep in thought. The music ("Wild One" by Jerry Lee Lewis) comes to an end, and so does the opening.